A Note from the Author on Method

Beware the three of hats.

A Note from the Author on Method

I’d like to tease a few points about this work-in-progress.

These are “The Revelations of the MERCANARY™” …

The nine of cups from which
I shall drink up inspiration.

FIRST REVELATION

I am not mad. While this is a project that plays with themes of identity, psyche, dreams, the supernatural, and more, I assure you that I am deliberately navigating this terrain as reasonably as any writer. Bear with me until it’s in print.

However, I am literally writing a method into what otherwise must appear as complete madness. This leads to the SECOND REVELATION (which is rather lengthy).

SECOND REVELATION

Much is already written. The plot is outlined, and maybe 20% of the rough draft is complete. For the remainder of writing the rough draft, I’m taking inspiration from dadaism.

MERCANARY™ began as a ‘zine, became the trademark of PROBLEMATIC PRESS, sought idolization through OPERATION: MERC(H)ANARY™, transitioned to Instagram for the memeoem epic and labours, and will eventually become a sort of gonzo picaresque novel.

Here is where the method enters the madness.

There are 100 slides in the epic (99 + 1 across two highlight reels). Employing a type of cut-up technique, the first 99 memeoems in the epic will find their way into the novel. Additionally, those 99 memeoems will be used to craft the labours.

Each memeoem consists of three fundamental aspects: audio, imagery, and an original poetic line (or the absence of a line to signal a break).

I have numbered each memeoem in the sequence and noted each of these three aspects for every memeoem.

The notes are cut up as slips. The slips are crumpled into balls. The 99 balls of each aspect will be placed into three of my hats, shaken rigorously, and then allotted. Those 297 balls will be evenly distributed to each of the nine “chapters” of the novel, and this lottery will dictate the memeoems that become the Labours.

The audio shall provide the Soundtrack for each of the “chapters” in the rough draft. I shall make and share playlists for each as writing progresses. I will listen to each on repeat as I write the corresponding “chapter.”

The imagery will provide the Cues for each “chapter,” which I will use as prompts for themes or imagery or some other allusion or reference. These will also be mixed into the labours, meaning the memeoems from the epic shall appear in multiple labours. This is myth-making.

The original poems will provide the A’s. A is for Appreciation. The MERCANARY™ epic is a lengthy appreciation memeoem, hence these are the A’s you are looking for. Since I am the author, these will be directly incorporated into the rough draft. Again, this lottery will help form the labours, so expect a lot of multiplicity in the memeoems.

THIRD REVELATION

I seek to challenge myself with this intermedia-writing project, and I am confident that each prompt will make it into the rough draft.

However, I make no promises as to what gets cut while revising and editing. This ought to be at least somewhat coherent by the time it goes to print.

Check yourself before you wreck yourself, right?

David Reynolds
© 2020
PROBLEMATIC PRESS

PROBLEMATIC PRESS,
Home of the
MERCANARY™

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Laura Molyneux Reads “The True Story of the Three Billy Goats Gruff” for Cloudberry Forest School

Problematic Press is quite pleased to share this wonderful reading of one of our stories.

Laura Molyneux of Cloudberry Forest School recently read David Reynolds’ The True Story of the Three Billy Goats Gruff: The Troll’s Side of the Story for her students.

We are truly honoured to play a part in this.

Thanks kindly to Laura Molyneux for choosing to share our book.

For more information about Cloudberry Forest School’s programs and services, follow them on Facebook and Instagram.

Cheers!

David Reynolds

PROBLEMATIC PRESS

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THE EPIC OF THE MERCANARY™

THE EPIC OF THE MERCANARY™

In the digital age, and within Instagram as a medium, I assert “The Epic of the MERCANARY™” is an epic memeoem.

Specifically, it is an appreciation memeoem sequence that spans 100 slides.

Duration of the experience varies by viewer, but it is at least 25 minutes from start to finish, yet each memeoem is a sort of rabbit hole.

The vast majority feature a “centrepiece” that is clickable back to the source.

Spotify clips are there, too. Tap on any track at the top.

And there is at least one easter egg hidden prominently in the epic. Follow a c(l)ue or two. Tap around. See what happens.

One might get lost if one’s curiosity is piqued.

One might get bored and bail.

One might return, on-demand, and view the epic memeoem preserved as a highlight reel here: @the.mercanary.

“The Epic of the MERCANARY™” is derived from “MERCANARY™: A Zine of Poetry and Adventure,” the zine I published in © 2019.

“The Epic of the MERCANARY™” shall be the foundational text from which “The Labours of the MERCANARY™” are derived.

“The Epic of the MERCANARY™” and “The Labours of the MERCANARY™” shall be the foundational texts from which “The Marvelous Saga of the MERCANARY™” is derived.

Upon completion of the novel, this will be a strange intermedial loop of a MERCANARY™ mythos.

Sincerely,
David Reynolds
© 2020
PROBLEMATIC PRESS

Follow this link to a 20-30 minute long memeoem sequence, THE EPIC OF THE MERCANARY™:

https://www.instagram.com/s/aGlnaGxpZ2h0OjE3ODc3NTYyNTkxNTg5MjE2?igshid=cgkpb9hmw6d6&story_media_id=2286413994658788281_13522736872

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Preliminary Context and Clarity

Preliminary Context and Clarity

Before diving head first into the deep seas of writing (and promoting) this gonzo picaresque novel, I want to provide a little more context about who I am in a clear and distinct voice. My voice. Not the narrator’s.

I’m a child of rural Newfoundland in the ’80s and ’90s, having grown up in Harbour Grace. That’s where I began writing little stories by the time I was 8, certainly. I liked pirates and adventure. I played ninjas with my friends in the woods, as one would. I started writing poetry as a pre-teen. I was already reading Poe and Shakespeare by the time I was 13. I wrote some songs as a teen, but I was mostly writing poetry as a teen.

I didn’t really write anything like that while I was studying at university, pursuing a BA with a double major in Philosophy as well as English language and literature followed by an MPhil in the Humanities. Focus had to shift to an academic voice more thoroughly to succeed. I struggled. Believe me. But, I succeeded, and I published the culmination of my graduate studies.

A common creative outlet that carried over from my teenage years throughout my studies and beyond was playing games – video games as well as pen-n-paper roleplaying games. I created and hosted homebrewed sessions and campaigns for more than 20 years. (The other project I’m working on is a video game: FORTHCOMING, ETA = 2023-ish.)

Before moving on, I want to acknowledge absolutely everyone who has influenced, inspired, or encouraged me along this lengthy and bumpy road. I have too many in mind to name here outright (reading this counts for something, though, if you’re curious who’s on the list), but each of you have my eternal gratitude.

As I get into detailing the writing process for the MERCANARY™ novel, I can appreciate that this is going to seem pretty wild.

Ultimately, keep in mind that this sensible-Dave is still here behind the scenes. I’m a competent writer, I’m schooled in narrative arts, I’ve read McLuhan, and I can appreciate social media as a sort of facade.

I can handle this project.

I got this.

With a little confidence, trust, or faith, this ride goes a lot easier.

Kindly bear with me until this thing sees print.

Sincerely,
David Reynolds
© 2020
PROBLEMATIC PRESS

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A Calm Before the Writing Storm

Photo Title: “Distant. Yesterday, I believe.”

I present this pic in which I look half sensible since my social media content over the next few months may appear rather mad.

Most of that content will appear on my Instagram, and some of it will trickle over to Facebook or ProblematicPress.com.

Tune in or tune out as you see fit. I appreciate that this is not everyone’s cup of tea. For real. I’m drinking coffee. Pursue your tastes!

Otherwise, kindly bear with me until this thing sees print.

Thanks!

Cheers!
Dave Reynolds

https://www.facebook.com/ProfDavidReynolds/

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📸 Nicholas Morine

https://www.facebook.com/nicholas.l.morine/


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ON INSTAGRAM
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📚 @problematicpress
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📱👀🍄🐇🕳️📲👌💯💖😎 @the.mercanary
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📓📝⌚🌶️🍌👌💯💗💖😎 @davaflavaprime
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MEMEOEM?

MEMEOEM?

Recognizing that memetry and meme poems are already things and terms, the memeoet [poet, collagist, clip-dj, meme-curator] wishes to clarify exactly what he means by memeoem.

Memeoem (n.) – an animated collage made from found or original images and an audio clip, and the collage must also include an original poetic line or some verse (or the absence of such might signal silence or a break between the stanzas in a sequence).

If the collage shares another post as the centrepiece of a memeoem, then it should link back to the source, thus encouraging engagement.

Influenced by dadaist aesthetics, each memeoem should be its own rabbit hole down which readers may find further content that somehow adds to or complicates the memeoem.

Meanings can be further exploded beyond the collage by placing memeoems in sequence.

Memeoem may refer to a single panel or a sequence of panels.

Instagram is an ideal medium for exploring such memeoems.

Those curious may find more memeoems @the.mercanary.

Those daring enough may explore making their own.

Have fun! Make art! Enjoy!

David Reynolds,
PROBLEMATIC PRESS
©2020

Follow this link to a 20-30 minute long memeoem sequence:

https://www.instagram.com/s/aGlnaGxpZ2h0OjE3ODc3NTYyNTkxNTg5MjE2?igshid=cgkpb9hmw6d6&story_media_id=2286413994658788281_13522736872

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Market Dates for 2016

Cheers, all!

It’s that time of year again, and we’re looking forward to another great season at the St. John’s Farmers’ Market
Of course, we’d like to let you know when we’ll be there, so here are the dates:
 
June 4
July 2
August 6
November 5
December 17
 
Drop by to find author and publisher David Reynolds pushing books on the unsuspecting public.  MWA-HAHAHA!
*ahem*
Although we have a small collection of titles, they cover a broad range, including fiction, non-fiction, poetry, and more!  On-hand, we’ll have copies of Nicholas Morine‘s Kowloon Walled City, 1984, Reynolds’ own The True Story of the Three Billy Goats Gruff: The Troll’s Side of the Story, as well as Robert Hayman‘s Quodlibets, Lately Come over from New Britaniola, Old Newfoundland, a collection of over 300 short poems penned in Harbour Grace between 1618 and 1628.
And, if you miss us at the market – fear not! – you can find many of our works in print and Kindle editions, available on Amazon‘s many websites.  Plus, you can find other ebook formats of our books at Smashwords.

The market’s open from 9am to 2pm, and it looks like this’ll be the last season at the Lions Club Chalet, too. Crazy, wha?


We hope to see you there!
Cheers!

Pageflex Persona [document: PRS0000026_00030]

The Troll's Side of the Story

Quodlibets - Front Cover

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