Problematic Press is pleased to announce a couple of recent upgrades.
Regularly, our books have been available to purchase through Amazon, in both print and Kindle editions.
Now, Problematic Press titles are available on Google Books through Google Play, as well, meaning our ebooks are easily available to over 2 billion Android and Chromebook users!
Plus, we’ve upgraded our online shop to provide our titles as .pdf files, so readers can enjoy reading our ebooks from nearly any platform!
Such deeds are worth a series of exclamations!
We believe this is a decent way to level up, at least.
Now, our fiction, non-fiction, and poetry can be accessed by more readers than ever before.
1.4 Furthermore, we (David Reynolds and Problematic Press) reserve the right to withdraw and revoke this license from any individual or group of individuals at any time for any reason, which may require the unpublishing and removing of your content from distribution.
1.5 Otherwise, subject to the terms of this license as detailed here and updated from time to time, we grant the limited use of MERCANARY™ — the character, concept, design, and image — for commercial use in English-language content in any medium to any person or group of persons (hereafter referred to as “you”).
2.1 Given that you abide by the terms set out in this agreement, we hereby grant you license to create content in English that uses MERCANARY™.
2.2 Content may be created for any medium, including but not limited to short fiction, poetry, novella, novel, comic strip, graphic novel, zine, music, dance, theatre, film, puppet show, animation, or video game.
2.3 Your use of MERCANARY™ should consider the characteristics detailed in the guide below.
2.4 Your use of MERCANARY™must comply with the limitations detailed below.
2.5 Use of MERCANARY™ in any way signifies your consent to the terms of the Open MERCANARY™ License.
3. Guiding Your Use of MERCANARY™
3.1 While MERCANARY™ originated in MERCANARY™: A Zine of Poetry and Adventure and was further fleshed out through The Epic of the MERCANARY™ as well as The Marvelous Saga of the MERCANARY™, you are not entirely bound by those depictions. Nevertheless, we suggest you use those sources as guides for the character.
3.2 For example, while we refer to MERCANARY™ as male (he/him), he is not bound by gender, and you may make him whatever gender you wish for your content.
3.3 Any reference to the character’s name in writing must maintain the use of ALL CAPS and include the ™ symbol in its appropriate position, while references to his species should be styled using lowercase, like any common noun. So, as an example, one might write “MERCANARY™ is not the only mercanary to be mistaken for a mercenary.”
3.4 Otherwise, we have established in our previous works that MERCANARY™ is the following:
Half bird, half merman, and half myth.
He is a mystical being with supernatural powers.
He is absurd.
He may fly, swim, and slither.
He may change shape, so he is not bound to appear with a canary’s upper torso or even with a mer-tail.
He may turn invisible.
At times, he may be seen by children and hidden from adults.
He is inexplicably capable yet he is often naive.
He has an extra-dimensional pocket that stores everything he needs.
He often wields a pair of machine guns, which he unloads in celebration of small accomplishments and simple joys.
He may be mistaken for being a mercenary, given how often he brandishes his guns, but he is more precisely a sells-word, one who relishes in the story sold.
He loves reading, and he’s a fan of poetry.
Although he used to only speak in chirps and coos, now he has found his voice.
3.5 We suggest you explore one of the following settings or genres for your content:
magical realism
pulp noir
cyberpunk
fairypunk
retro-futurism
swashbuckling adventure
cosmic horror
dark academia
wuxia action
3.6 If you closely follow our suggestions and your content is a work of literature, then you may wish to submit it to us for consideration for publication. Please do so! You may use the submission form found here.
3.7 You retain copyright over your content, which means you may sell it on your own without owing a royalty to David Reynolds or Problematic Press as long as you abide by the terms of this licensing agreement and include the required acknowledgment as detailed below.
4. Limitations on Your Use of MERCANARY™
4.1 You acknowledge and accept your responsibilities and limitations as a content creator according to the intellectual property laws of the jurisdiction in which you reside, and you indemnify David Reynolds and Problematic Press from any liability — legal, financial, personal, or otherwise — associated with the content you create.
4.2 While our previous publications also depict other characters, such as Harrison Stockton Bueller and Troll-Cat, this license does NOT grant the use of any other characters. This license ONLY grants the use of MERCANARY™ in your content.
4.3 You must not use MERCANARY™ in any way that damages David Reynolds or Problematic Press, including but not limited to anything that may constitute libel, slander, or defamation of David Reynolds, Problematic Press, or a third party.
4.4 To the point of undue hardship, you must make every reasonable attempt to prominently include in your content the required acknowledgment as detailed below.
5. Required Acknowledgments
5.1 In general, your content must include and prominently display this written declaration verbatim: “David Reynolds is the creator of MERCANARY™, which is the trademark of Problematic Press. MERCANARY™ appears here in accordance with the terms of the Open MERCANARY™ License.”
5.2 If it is feasible, you must audibly declare for your audience that “David Reynolds is the creator of MERCANARY™, which is the trademark of Problematic Press. MERCANARY™ appears here in accordance with the terms of the Open MERCANARY™ License.”
5.3 If it is feasible, you must include a link to problematicpress.com.
5.4 If it is feasible, you must include the Problematic Press logo.
5.5 We appreciate that different media have different ways of handling such acknowledgments, and we offer the following guidance:
For a print book, include the written declaration, the link, and the logo in the front matter of your book.
For an ebook, include the written declaration, the link, and the logo in the front matter of your ebook.
For a stage performance, place signs near the stage and entrance that include the written declaration, the link, and the logo, and also audibly declare the acknowledgment immediately before the performance begins.
For a puppet show, place signs near the stage and entrance that include the written declaration, the link, and the logo, and also audibly declare the acknowledgment immediately before the performance begins.
For a film, include the written declaration, the link, and the logo as part of the opening branding, and also audibly declare the acknowledgment while it is on-screen.
For a video game, include the written declaration, the link, and the logo as part of the opening branding, and also audibly declare the acknowledgment while it is on-screen.
5.6 If it is feasible, include such an acknowledgment when promoting your content, such as when giving interviews or in advertisements.
6.2 That .zip file contains logo images as well as a .pdf copy of MERCANARY™: A Zine of Poetry and Adventure.
7. Our Gratitude
7.1 David Reynolds and Problematic Press are thrilled that you are considering using MERCANARY™ in your content, and we thank you kindly for your interest.
This is a beginner’s guide since the author is not an expert in information technologies nor operating systems, and that is exactly why you might rely on this guide’s advice.
For context, I’m just a computer user. Like many of my generation, some of my earliest experiences using a desktop PC involved Microsoft’s Windows. Sometime around 2010, I switched to using Ubuntu as my preferred operating system to maintain an old Frankenstein’s monster of a desktop PC, which I still use regularly. For much of the past decade, that old desktop PC was my only functional computer, and I only just recently acquired a Chromebook.
At first, I was a little disappointed with the Chromebook’s limited functionality. Straight out of the box, it just isn’t as capable as a typical laptop with Windows. Designed as a cloud-based operating system, Google never really intended it to fill that role.
But, times change.
Now, unlocking the potential of many modern Chromebooks is as easy as finding the correct setting and flipping the switch that turns on Linux.
By using Linux on ChromeOS, you can install and run apps to enhance your office productivity, to edit audio or video files, or to play games on Steam.
Some of the Terms to Know
If you already feel a little lost, that’s okay. The terminology can get a bit confusing, especially when you don’t know anything about this stuff to begin with.
To help you get a grasp of the situation, allow me to explain a few terms first.
As far as I know, your Chromebook is already running Linux. Yeah. From what I have read, Chromebooks run on the Chrome operating system, which is also known as ChromeOS. Google developed the ChromeOS based largely on Debian, which is a Linux distribution.
Linux comes in a variety of different distributions, and many of those distributions come in a variety of flavours. So, Ubuntu is an operating system that is one popular Linux distribution, and there are a variety of flavours of Ubuntu, such as Kubuntu or Xubuntu. There are many other Linux distributions available, such as Linux Mint or Puppy Linux, and there are a variety of flavours to consider for each. Sometimes, the Linux distribution on ChromeOS is also known as Crostini.
As a beginner, I can’t really tell you much about the differences between each distribution or each flavour. What I can tell you is that these are often freely available operating systems, and Linux often feels lighter and faster than Windows in my experience.
What I mean to say here is that Google is okay with you using Linux on your Chromebook. In fact, they want to help you set this up to get the most out of using your Chromebook.
Google has designed this in a way to enable novice users, like myself, as well as developers.
Now, I won’t detail anything here about the developer’s set up of Linux on ChromeOS.
Instead, this guide is only interested in the simplest set up for beginners to explore on their own.
The good news is Google has made this a safe option to explore.
Turning on Linux on ChromeOS will not void your warranty, and it should not compromise your machine.
Once it is enabled, Linux runs inside a virtual machine on your computer, and the ChromeOS is still the base operating system for your Chromebook.
The Basic Steps to Activate Linux on ChromeOS
First, check to see if your Chromebook is supported. There is a list of supported devices here. (Note that some other modern Chromebooks include the Linux on ChromeOS feature, such as the Samsung Chromebook 4, which is not listed there.)
If your device supports this feature, then you may continue following this guide.
Once you’ve confirmed that your device is supported, then open up the Settings for your system. (Note: if you tap the clock in your system tray, then that opens a menu where you can click on the gear-shaped icon to get into Settings.)
In Settings, scroll down until you see Advanced. Click on Advanced, and then scroll down some more until you see a section called Developers. There, you should see Linux Development Environment. Tap that.
Here, just flip the switch to turn on Linux on ChromeOS, devote some storage to use with Linux, and your machine is good to go.
Note that, although the word “developer” is used there a little, you are not advised by this guide to actually activate developer mode on your Chromebook. That is something else, and there is another setting for that. If you go through with that, then it will take your Chromebook out of verified mode, and we do not advise you to do anything like that as a beginner. That’s the sort of thing that could compromise your machine or void your warranty.
If you follow this guide, then you will install Linux on ChromeOS like Google has intended, and your Chromebook will remain in verified mode with all the functionality that provides.
Now You Have a Terminal, and That’s a Start
Flipping that switch is what allows you to use the terminal provided by Google. In Linux, the terminal is like a DOS prompt where you write commands. The commands are not the same as for DOS, however.
Using the terminal can feel intimidating for inexperienced users, but don’t let that stop you!
With a little knowledge, you can accomplish a lot.
The first command you should enter is this:
sudo apt-get update && sudo apt-get dist-upgrade
That will check for an update and install the update for this Linux distribution on ChromeOS.
The next thing an inexperienced novice will want is an app store for Linux, so enter the following command in the terminal:
When it prompts you about downloading data, type Y and hit enter.
Once the magic has happened, you can find any Linux apps on your Chromebook from the launcher, located in the lower left corner of your screen, including this app, which will just be called Software.
If you like, you can add any of the installed Linux apps to your Chromebook’s taskbar. Just drag the app’s icon into your taskbar.
To open a Linux app on your Chromebook, just tap the app’s icon and ChromeOS will automatically open a Linux virtual machine to run the app. It tends to work rather seamlessly, in my experience.
Further Guidance
Again, I’m not a tech expert; I’m just really excited about the potential of Linux on ChromeOS.
If you require actual support, please contact Google or the manufacturer of your device.
If you desire further reading, then consider the following links.
I hope this guide allows you to enjoy Linux on ChromeOS, too!
About the Author
David Reynolds’ passion for language and literature is undeniable. His first work was published when he was only 11 years old, and he’s been engrossed in the minutiae and nuances of the English language in one way or another ever since.
He holds a BA (English & philosophy) and an MPhil (humanities) from Memorial University, where he was fortunate enough to study superhero narratives in a broad context.
Besides teaching English at Atlantic Canada’s largest university, he writes, edits, performs, and publishes a broad range of literature, primarily through Problematic Press, which he founded as a side project in 2013.
Problematic Press proudly presents FORTHCOMING the RPG the Demo.
On the other hand, we’re a little less stoked to state that this project cannot proceed due to a significant oversight during development. This was a noob’s error.
Anyway, you can download the game’s demo as a .zip file here for FREE. It functions on PCs running Windows. Give it a try for yourself!
This retro-styled, turn-based role-playing game was going to be an epic fantasy adventure through time. It would’ve had three lengthy acts with twists and side quests, and — if it were ever completed — it would likely end up being about 35 hours to play through.
As it is, the demo might give you 30-45 minutes of play time, representing maybe 3-5% of what it could have become.
Since this project is now decidedly caput, this demo’s more like a proof of concept.
A screenshot from an early scene in FORTHCOMING the RPG
Will there be more games to come from Problematic Press?
Attendees appreciated the absurdity of it all. A screening of The Epic of the MERCANARY™ invited wonder, awe, and laughs as supporters arrived. The opening act was a poetry “reading” by the enigmatic Snake, I’s, which left the crowd speechless yet smiling. Next, Nicholas Morine’s reading of “Johnny Cobra & the Cerebral Crucible” set the stage for heart-pounding adventure. You can read that story and more of his short fiction that cuts deeply in Steel Sarcophagus. Finally, David Reynolds read excerpts from The Marvelous Saga of the MERCANARY™. Teasing tidbits and side-stepping spoilers, he provided a prophetic preview of his debut novel — this gonzo picaresque tale — A Sells-Word’s Story.
MERCANARY™, a sells-word inspired by a typo, is a metafictional hero who’s been drafted for lit’s sake on land, sea, and air. His mission? Word.
David Reynolds hasn’t won any awards for his creative writing, but his most shocking anecdote has won him more beer than he could possibly ever drink. He lives in St. John’s, Newfoundland and Labrador, where he teaches English at Atlantic Canada’s largest university.
In the words of the author: “This is a gonzo picaresque novel. It’s a work of intermedial metafiction. It’s a cautionary tale. It’s a sob story. It’s a farcical melodrama. It is high art. It adapts a ‘zine of poetry and adventure. It adapts a memeoem, which is literally a new poetic art form that I invented for this. It is the culmination of my life’s work in literature. It’s ballsy and hubristic and vulnerable all at once. The protagonist is an anti-hero. The sidekick is really something else. The odds are against them, but they’re in this to win it. Together, they make things weird. Well, this thing is certainly weird.”
We wish to thank everyone who came to the launch and purchased a book. People like you make this all worthwhile.
The author expresses his deepest thanks to his family and friends for their love and support throughout the writing process.
He thanks everyone who purchased a copy of the original ‘zine
He also thanks everyone who purchased items from his childhood collection of treasures to help fund this print run of books.
Order copies of The Marvelous Saga of the MERCANARY™ as print and Kindle editions here.
MERCANARY™, a sells-word inspired by a typo, is a metafictional hero who’s been drafted for lit’s sake on land, sea, and air. His mission? Word.
David Reynolds hasn’t won any awards for his creative writing, but his most shocking anecdote has won him more beer than he could possibly ever drink. He lives in St. John’s, Newfoundland and Labrador, where he teaches English at Atlantic Canada’s largest university.
In the words of the author: “This is a gonzo picaresque novel. It’s a work of intermedial metafiction. It’s a cautionary tale. It’s a sob story. It’s a farcical melodrama. It is high art. It adapts a ‘zine of poetry and adventure. It adapts a memeoem, which is literally a new poetic art form that I invented for this. It is the culmination of my life’s work in literature. It’s ballsy and hubristic and vulnerable all at once. The protagonist is an anti-hero. The sidekick is really something else. The odds are against them, but they’re in this to win it. Together, they make things weird. Well, this thing is certainly weird.”
The author expresses his deepest thanks to his family and friends for their love and support throughout the writing process.
He thanks everyone who purchased a copy of the original ‘zine
He also thanks everyone who purchased items from his childhood collection of treasures to help fund this print run of books.
If you aren’t in the area, you can still order copies of The Marvelous Saga of the MERCANARY™ as print and Kindle editions here.
It was a beautiful day when Girly Muckle and the Queer Hands stormed into The Battery Cafe.
That’s right!
Bernardine Ann Teráz Stapleton’s Girly Muckle and the Queer Hands has been launched into the æther, where the curious can find her.
Readers joined us there for drinks and treats while the author delivered an enchanting introduction to Girly Muckle and her besties. A delightful time was had by all within earshot.
For readers in St. John’s, NL, we now offer curbside pick-up ordering from our office located downtown. Details can be found at the Square site.
Girly Muckle and the Queer Hands on the ShelfThe author and the artist
Bernardine Ann Teráz Stapleton is an author, a playwright, a performer, and an absolute treasure with the voice of a tempest.
Born in North West River and raised in Marystown, her connections to the province of Newfoundland and Labrador resonate throughout her works.
Her plays are regularly produced across the province, and her previous books include the award-winning They Let Down Baskets (Killick Press), Rants, Riffs and Roars (Creative Book Publishing), and This is the Cat (Creative Book Publishing). Her creative memoir, Love, Life, is forthcoming from Breakwater Books.
Nicole Leona Smith is an emerging visual artist who divides her time between Newfoundland and her home in Cambridge, Ontario. Her illustrations are simply delightful.
Until now, she has been best known for her writing and her work in theatre.
She is also drafting her first novel with support from the Ontario Arts Council.
Problematic Press is an independent publisher based in St. John’s, Newfoundland and Labrador, Canada. Get the latest news about our growing selection of titles at problematicpress.com.
Bernardine Ann Teráz Stapleton’s Girly Muckle and the Queer Hands is here, alive and well and just waiting for you precious and precocious readers to share in her glee.
Perhaps you’ve heard of The Battery – quiet, peaceful, serene. Then there’s Girly Muckle.
Girly knows the folk living in The Battery have plenty of secrets to keep. She has a few of her own. For starters, she’s a selkie.
Now, a selkie isn’t some cutie-pie creature, so you needn’t imagine a princess of the mermaids here. No.
Along with her besties – an adlet and a shapeling – they are the Queer Hands, a band of young punks with big dreams.
But, when a meddling detective threatens to expose their mythical nature to the world, will the Queer Hands even make it out alive?
While this novel takes place in a fantastically imagined Newfoundland, it bears a tale that is sure to please selkies residing anywhere.
Meanwhile, stay tuned for more details to come about the launch of this magical tale.
This is it.
This is lit!
Bernardine Ann Teráz Stapleton and Nicole Leona Smith
Bernardine Ann Teráz Stapleton is an author, a playwright, a performer, and an absolute treasure with the voice of a tempest.
Born in North West River and raised in Marystown, her connections to the province of Newfoundland and Labrador resonate throughout her works.
Her plays are regularly produced across the province, and her previous books include the award-winning They Let Down Baskets (Killick Press), Rants, Riffs and Roars (Creative Book Publishing), and This is the Cat (Creative Book Publishing). Her memoir, Love, Life, is forthcoming from Breakwater Books.
Nicole Leona Smith is an emerging visual artist who divides her time between Newfoundland and her home in Cambridge, Ontario. Her illustrations are simply delightful.
Until now, she has been best known for her writing and her work in theatre.
She is also drafting her first novel with support from the Ontario Arts Council.
Problematic Press is thrilled to reveal that our next publication will be Girly Muckle and the Queer Hands, a novel by Bernardine Ann Teráz Stapleton with illustrations by Nicole Leona Smith.
Girly Muckle and the Queer Hands
There can be much more to a person than what meets the eye, and Girly Muckle can vouch for that.
She’s not like most other teens. She’s a selkie. And her best friends are an adlet and a shapeling.
Together with her besties, these young punks are the Queer Hands.
This is just the beginning.
Bernardine Ann Teráz Stapleton
Bernardine Ann Teráz Stapleton is an author, a playwright, a performer, and an absolute treasure with the voice of a tempest.
Born in North West River and raised in Marystown, her connections to the province of Newfoundland and Labrador resonate throughout her works.
Her plays are regularly produced across the province, and her previous books include the award-winning They Let Down Baskets (Killick Press), Rants, Riffs and Roars (Creative Book Publishing), and This is the Cat (Creative Book Publishing). Her memoir, Love, Life, is forthcoming from Breakwater Books.
Nicole Leona Smith is an emerging visual artist who divides her time between Newfoundland and her home in Cambridge, Ontario. Her illustrations are simply delightful.
Until now, she has been best known for her writing and her work in theatre.
She is also drafting her first novel with support from the Ontario Arts Council.
Problematic Press is pleased to announce we have signed a new partnership with EBSCO Information Services.
Through this new deal, all past and future Problematic Press titles will be easily accessible through libraries all over the globe.
This is because “EBSCO is the leading provider of research databases, e-journals, magazine subscriptions, e-books and discovery service to libraries of all kinds.”
Curious about EBSCO? Learn more from this short video.
Otherwise, at this stage, Problematic Press can think beyond the local markets, knowing our titles can be read all over. This excites us greatly! That’s a fact.
And, if you’re daring to consider the writerly life for yourself, then allow us to alert you to our present CALL FOR SUBMISSIONS.
