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LAUNCHED: Girly Muckle and the Queer Hands by Bernardine Ann Teráz Stapleton

Girly Muckle and the Queer Hands in Lights
Girly Muckle and the Queer Hands in Lights

It was a beautiful day when Girly Muckle and the Queer Hands stormed into The Battery Cafe.

That’s right!

Bernardine Ann Teráz Stapleton’s Girly Muckle and the Queer Hands has been launched into the æther, where the curious can find her.

Readers joined us there for drinks and treats while the author delivered an enchanting introduction to Girly Muckle and her besties. A delightful time was had by all within earshot.

Problematic Press would like to extend our thanks to The Battery Cafe for hosting us and to the Writers’ Alliance of Newfoundland and Labrador for inviting us to Pitch Wars, where we had the good fortune of connecting with the author for this publication.

The author thanks the following organizations for supporting the creation of this work of literature: the Canada Council for the Arts; the City of St. John’s; and, Memorial University’s Writer-in-Residence Program.

She also thanks Alexis Koetting, Marilyn Mackay, Katie Vatour, and Nicole Leona Smith, the artist.


Girly Muckle and the Queer Hands is a queer coming of age novel draped in myth, and it is captivating.

While this novel takes place in a fantastically imagined Newfoundland, it bears a tale that is sure to please selkies residing anywhere.

So, for those residing anywhere, Girly Muckle and the Queer Hands may now be ordered in print here while the Kindle edition can be ordered here.

For readers in St. John’s, NL, we now offer curbside pick-up ordering from our office located downtown. Details can be found at the Square site.

Girly Muckle and the Queer Hands on the Shelf

The author and the artist

Bernardine Ann Teráz Stapleton is an author, a playwright, a performer, and an absolute treasure with the voice of a tempest.

Born in North West River and raised in Marystown, her connections to the province of Newfoundland and Labrador resonate throughout her works.

Her plays are regularly produced across the province, and her previous books include the award-winning They Let Down Baskets (Killick Press), Rants, Riffs and Roars (Creative Book Publishing), and This is the Cat (Creative Book Publishing). Her creative memoir, Love, Life, is forthcoming from Breakwater Books.

Learn more about her at bernistapleton.com.


Nicole Leona Smith is an emerging visual artist who divides her time between Newfoundland and her home in Cambridge, Ontario. Her illustrations are simply delightful.

Until now, she has been best known for her writing and her work in theatre.

She is also drafting her first novel with support from the Ontario Arts Council.

Discover more about her at nicoleona.com.


Problematic Press is an independent publisher based in St. John’s, Newfoundland and Labrador, Canada. Get the latest news about our growing selection of titles at problematicpress.com.

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COMING SOON: Girly Muckle and the Queer Hands

Problematic Press is thrilled to reveal that our next publication will be Girly Muckle and the Queer Hands, a novel by Bernardine Ann Teráz Stapleton with illustrations by Nicole Leona Smith.

Girly Muckle and the Queer Hands

There can be much more to a person than what meets the eye, and Girly Muckle can vouch for that.

She’s not like most other teens. She’s a selkie. And her best friends are an adlet and a shapeling.

Together with her besties, these young punks are the Queer Hands.

This is just the beginning.

Bernardine Ann Teráz Stapleton

Bernardine Ann Teráz Stapleton is an author, a playwright, a performer, and an absolute treasure with the voice of a tempest.

Born in North West River and raised in Marystown, her connections to the province of Newfoundland and Labrador resonate throughout her works.

Her plays are regularly produced across the province, and her previous books include the award-winning They Let Down Baskets (Killick Press), Rants, Riffs and Roars (Creative Book Publishing), and This is the Cat (Creative Book Publishing). Her memoir, Love, Life, is forthcoming from Breakwater Books.

Learn more about her at bernistapleton.com.

Nicole Leona Smith

Nicole Leona Smith is an emerging visual artist who divides her time between Newfoundland and her home in Cambridge, Ontario. Her illustrations are simply delightful.

Until now, she has been best known for her writing and her work in theatre.

She is also drafting her first novel with support from the Ontario Arts Council.

Discover more about her at nicoleona.com.

Nicole and Bernardine

Problematic Press is an independent publisher based in St. John’s, Newfoundland and Labrador, Canada.

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Our New Partnership with EBSCO

What’s black and white and read all over?

Problematic Press is pleased to announce we have signed a new partnership with EBSCO Information Services.

Through this new deal, all past and future Problematic Press titles will be easily accessible through libraries all over the globe.

This is because “EBSCO is the leading provider of research databases, e-journals, magazine subscriptions, e-books and discovery service to libraries of all kinds.”

Curious about EBSCO? Learn more from this short video.

Otherwise, at this stage, Problematic Press can think beyond the local markets, knowing our titles can be read all over. This excites us greatly! That’s a fact.

And, if you’re daring to consider the writerly life for yourself, then allow us to alert you to our present CALL FOR SUBMISSIONS.

Stay tuned for much more from Problematic Press.

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Now Accepting Your Submission

PROBLEMATIC PRESS LOGO

Problematic Press is a modest operation with limited resources. Our aim is to publish 1-2 books per year going forward.

Our titles are published as paperbacks and ebooks that are distributed through retailers and libraries both online and around the world.

Problematic Press is pleased to make this call for submissions.

  • Highlighted Details
    • DEADLINE: Open and ongoing, so submit whenever.
    • We are interested in fiction, non-fiction, and poetry.
    • Final drafts should be 20,000-39,999 words.
    • Responses will be sent to applicants within two months.
    • Read the rest of this post thoroughly to get the details.
    • Find the link to the submission form at the bottom of this post.

We invite pitches from interested authors with titles intended for future publication, generally within the next year or two.

Provided the writing demonstrates exceptional mastery of English, we are open to considering original works from any person residing anywhere within Canada and legally entitled to work and earn income within Canada. However, we very much prefer to work with local creators in the St. John’s region of Newfoundland and Labrador, Canada. This preference is stated outright.

Understand that any licensing agreement that may result from submitting your pitch represents an investment in you as well as your book. Beyond that, you must maintain a public persona that the publisher is excited to endorse. Liabilities will not be tolerated.

Expect this process to be lengthy, rigorous, and arduous. Our authors and artists thrive when challenged, and they have the dedication and patience required to persevere.

Before and after publication, all authors and artists are encouraged to pursue external funding opportunities, such as federal, provincial, and municipal grants. The timing of such opportunities will have an impact on the timeline of publication. That is understandable, and we are flexible enough to work within such a schedule for our grant-winning authors.

If this sounds thrilling to you, then dare to proceed.

Otherwise, turn back now, saving each of us a lot of time.

"Distant. Yesterday, I believe." - David Reynolds

Problematic Press embodies the way of the MERCANARY™, our trademark sells-word chimæra.

In that spirit, we are excited to receive pitches for book-length works (20,000 words to 39,999 words in length) in a variety of genres.

The key to a winning pitch is that it is high-quality, daring excitement, but — above all — it must be an achievable goal for each of us, from revising to editing to promotion to publication and to promotion again.

Be realistic.

Do you feel up for it?

Do not pitch a series.

Do you have a completed draft of your manuscript?

No?

Turn back now.

Yes?

You may continue.

Do you still feel up for it?

Good.

This is a test.

You are encouraged to come to this well-prepared.

Consider gaining experience and levelling up before you continue.

If you’re still here, you’re doing well.

MERCANARY™ is undergoing a metamorphosis.
MERCANARY™ approves.

What Problematic Press Wants

Problematic Press is only interested in pitches for hitherto unpublished anywhere original works of literature, and we are happy to consider such original works that fall within or near the following areas:

💥 scholarly non-fiction (literature, philosophy, semiotics, arts, humanities);

💥 substantial poetry (as in a collection of poems, a lengthy narrative poem, an epic, etc.);

💥 literary short fiction collections;

💥 sci-fi and fantasy short fiction collections;

💥 genre-bending short fiction collections;

💥 literary novellas;

💥 sci-fi and fantasy novellas;

💥 wuxia action novellas;

💥 retro-present novellas;

💥 retro-future novellas;

💥 pulp-styled space operas as novellas;

💥 cyber-noir detective novellas;

💥 kaiju conflict novellas;

💥 fit-to-print erotic novellas;

💥 genre-bending novellas;

💥 and, high seas adventure novellas.

Remember: do not pitch a series. Check yourself before you wreck yourself, right?

Before completing the submission form linked below, take the time to collect your materials and make this the best pitch that you can muster.

Touch up that draft you have there, think about how to best frame your pitch, dream of the writerly life, and then update your resume (or C.V.).

Your courage has brought you this far. If you feel brave enough to take the next step, then follow the link and scroll past the familiar to find The Form of Your Submission.

Either way, Problematic Press appreciates your interest and wishes you the best of luck with your writing adventure!

Cheers!

David Reynolds, Founder & Publisher

The Epic of the MERCANARY™
The Epic of the MERCANARY™
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Market Dates for 2016

Cheers, all!

It’s that time of year again, and we’re looking forward to another great season at the St. John’s Farmers’ Market
Of course, we’d like to let you know when we’ll be there, so here are the dates:
 
June 4
July 2
August 6
November 5
December 17
 
Drop by to find author and publisher David Reynolds pushing books on the unsuspecting public.  MWA-HAHAHA!
*ahem*
Although we have a small collection of titles, they cover a broad range, including fiction, non-fiction, poetry, and more!  On-hand, we’ll have copies of Nicholas Morine‘s Kowloon Walled City, 1984, Reynolds’ own The True Story of the Three Billy Goats Gruff: The Troll’s Side of the Story, as well as Robert Hayman‘s Quodlibets, Lately Come over from New Britaniola, Old Newfoundland, a collection of over 300 short poems penned in Harbour Grace between 1618 and 1628.
And, if you miss us at the market – fear not! – you can find many of our works in print and Kindle editions, available on Amazon‘s many websites.  Plus, you can find other ebook formats of our books at Smashwords.

The market’s open from 9am to 2pm, and it looks like this’ll be the last season at the Lions Club Chalet, too. Crazy, wha?


We hope to see you there!
Cheers!

Pageflex Persona [document: PRS0000026_00030]

The Troll's Side of the Story

Quodlibets - Front Cover

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Now Available – Kowloon Walled City, 1984 by Nicholas Morine

 

Problematic Press is pleased to announce that Nicholas Morine’s Kowloon Walled City, 1984 is now available!

Pageflex Persona [document: PRS0000026_00030]

The year is 1984. In the heart of Hong Kong, Kowloon Walled City seethes with human passions, both good and evil. Not a single ray of light penetrates this fortress of hope and despair. This is a lost, illicit city filled to bursting with shady businessmen, drug dealers, junk shops, and desperate gamblers seeking an avenue for one last thrill. It is said that the police do not dare to enter. Whether this is true or not remains a mystery.

Fang, a heroin slinger and a brother of the 14K, becomes a marked man beneath the roars of the crowd, fists bloodied. The love of his life stands between him and his glory, a choice that may never be reconciled. The Siu Nin a Fu, an annual martial arts tournament calling the very best warriors from across the globe to the depths of Kowloon Walled City, is about to take place. Buried in liquor, needles, and smoke, Fang’s future is about to take flight. Take a step into the black tapestry of the past, where ghosts walk the dim, decrepit alleys as if neon still fell upon their defeated shoulders.

Kowloon Walled City, 1984. A shredded memory of a living, breathing entity that once was… and is no longer.

Print and Kindle editions are available on Amazon‘s many websites, or they can be purchased from one of the Problematic Press Shops (CAN and US).  If you’re in the St. John’s, NL area, then you might find us pushing books at Sci-Fi on the Rock 10 or at the Farmers’ Market.

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Reading, Writing, & Publishing Workshops at Sci-Fi on the Rock 9

By David Reynolds

Readers and writers on the Avalon Peninsula (that’s in Newfoundland, a magical place), take note: Sci-Fi on the Rock 9 will be hosting an assortment of reading, writing, and publishing workshops that you just might have to see for yourself!

Sci-Fi on the Rock’s ninth instalment takes place from April 24th to 26th at the Holiday Inn in St. John’s. Mark off those dates on your calendar because you’re in for a treat, and read on to get a brief preview of some of the upcoming discussions and workshops.

As the convention begins, Engen Books presents some of the first writerly workshops that will get your attention. Engen returns to SFotR9 with “The Most Dysfunctional Writing Panel Ever: A Convention Tradition,” featuring Ellen Curtis and other authors. This panel promises to be so dysfunctional they’re presenting it twice – April 24th at 4pm in the Nimoy Room and April 25th at 9am in the Tolkien Room. Engen Books really knows how to represent at Newfoundland’s premier convention, and so they’re presenting another panel on the 25th at 10am in the Nimoy Room, titled “Engen Early Bird Panel: Wake Up Your Literary Side.” These talks will provide attendees with ample opportunity to address their questions about writing in various genres.

There are also a few more discussions featured throughout the convention that are sure to reveal the innermost secrets of the writing and publishing craft. On April 25th, at 2pm in the Lucas Room, Scott Bartlett presents “How to Make Your Writing Matter to You and to Others.” On April 26th, at 1pm in the Tolkien Room, Charles O’Keefe presents “Adventures with Vampires and Publishing.” Later on that same day, at 3pm in the Tolkien Room, David Reynolds (well, that’s me, actually) of Problematic Press (yeah, that’s us alright) presents “How to Guerilla Publish: Getting Your Book Out There with No Budget.” Together, attendees with dreams of writing and publishing their own material are sure to glean some important insights about the whole process of making their stories available to the world.

If you’re primarily interested in reading and raving on about your favourite fantasy series, then the con has got you covered, too! Interested attendees should keep an eye on the Ambassador Series, which features Alison Edwards and Dr. Christopher Lockett as well as others. Edwards discusses further reading for fans of popular fantasy in “Beyond Harry Potter: Books for the Young and the Young at Heart,” which takes place April 26th at 1pm in the Nimoy Room. Lockett delves into the intersections of some of fantasy’s greatest authors in “The Ballad of Joss, Neil, and Sir Terry: Reflections on Three of our Most Brilliant Fantasists,” to take place April 25th at 3pm in the Nimoy Room. Such nuanced presentations and discussions are sure to give fantasy addicts their fix.

Events at the convention target a broad age range, too. Shelley Chruchill presents “Wee Geeks Storytime” on April 25th at 11am in the Tolkien Room, which is sure to entertain the convention’s youngest readers. However, if you crave more adult flavours, then perhaps you can sate that hunger with Chelsea Smith and Janielle Butt’s “WTF Fanfiction: The Most Cringe-Worthy Stories of our Time,” which is set for April 24th at 8pm in the Roddenberry Room. Again, SFotR9 has a little something for just about every geeky niche.

This is just a sample of the convention’s events; there is much more in the works, so be sure to check it out for yourself when the time comes. You can find more details about all of their discussions and workshops by viewing the full schedule here. Plus, the convention also promises special guests and plenty of vendors, so prepare to get your geek on! For an idea of what to expect, click here to view NTV’s coverage of SFotR8.

James DeMille's A Strange Manuscript Found in a Copper Cylinder, Annotated by David Reynolds

David Reynolds studied at Memorial University where he completed his BA in Philosophy and English Language and Literature in 2006 in addition to completing his MPhil in Humanities in 2008. His graduate research focused on the cultural significance of superhero narratives and culminated in his dissertation Superheroes: An Analysis of Popular Culture’s Modern Myths. Presently, he enjoys teaching English at Memorial University while fumbling about as a publisher with Problematic Press.

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“How to Guerrilla Publish: or, The Basic Gist of It All”

By David Reynolds

Being an independent publisher means working with little-to-no budget, so exploring how to optimize low cost publishing options is par for the course. While Problematic Press is financially unable to publish everything that’s awesome, we’re not too concerned about creating competition, and so we’d like to encourage and enable other upstart literati to embrace guerrilla publishing. This brief guide will introduce the uninitiated to a basic publishing strategy to potentially reach a global audience, while emphasizing a Canadian context.

Welcome to guerrilla publishing in the digital age of globalization!

STEP 1 – Learn Your Rights and Responsibilities

Before you begin this guerrilla publishing journey, you should brush up on the rights and responsibilities of content creators. (And, acknowledge my disclaimer: I am no legal expert, nor am I a tax expert; you’ll be responsible for your own actions.) In general, be upfront and respectful with your collaborators. They have rights, too. And, consider the Canadian context of publishing. For instance, in Canada, copyrights are assumed upon creation of a work, meaning you needn’t register your copyright anywhere. However, it is up to the copyright holder to protect their own works, because no one else is looking out for it. Another Canadian consideration is that publishers are required to submit copies of their books to Library and Archives Canada, in what’s known as the legal deposit. These are a few things you should look into before you begin publishing. Remember, self-publishing your work usually means many more hands-on, D.I.Y tasks are in your future.

STEP 2 – Develop Your Content

The next thing you’ll need is material (it’s also really the first thing you need, but we won’t debate the semantics here). If your plan is to publish a book, then that means you need a manuscript. Whatever genre you’re working in, your manuscript should be thoroughly edited, as every error present is the bane of your credibility. Beyond your flawless manuscript, you’ll need front matter, a bio, ad copy, a table of contents, and so on. Be sure to get on top of that, too. You’ll also need a book cover, which likely means artwork. Handle whatever you’re competent at on your own to save costs, or you could recruit assistance from your friends or professionals. Once you’ve got all the bits and pieces together to make a finished product, then you can begin formatting it all to fit the criteria of our online printers.

STEP 3 – Formatting Content for Online Printers

There is a whole, humongous plethora of self-publishing and e-publishing services available online, and you can explore as many options as you like, but we’ll suggest the following because they offer international distribution for zero cost. That’s nigh unbeatable.

Three services that cover most of the bases are CreateSpace, Kindle Direct Publishing, and Smashwords. CreateSpace provides you with a trade paperback print copy of your manuscript, and they offer streamlined distribution through Amazon’s many online sites. You can upload and distribute your book with them for potentially zero cost. Kindle Direct Publishing is great for linking the ebook to the print edition, but they only produce ebooks in Kindle format. Nevertheless, they, too, provide this distribution at no immediate cost to the publisher. Besides those two Amazon companies, it’s also a good idea to use Smashwords to reach readers on different devices and through different online retailers. Again, Smashwords allows publishers to upload and distribute content at no immediate cost. The companies earn their portion of the revenue as sales accrue, which is why they don’t charge fees upfront like some vanity publishers do.

So, you’ll have to review the content and format guidelines for CreateSpace, Kindle Direct Publishing, and Smashwords. This means going back to format your files to meet their requirements. This part can be a bit tedious, but the work is worth it once your book is on that virtual shelf! The good news is if you can create a .doc and a .pdf of your book, then you can get it out there using these online companies.

As for the Canadian context, there are a few things to consider. For one, Canadians can utilize these American printing and distribution services, but unless you file all the proper tax documents then they’ll withhold 30% of your royalties. This means you’ll need to apply for a tax number with the IRS before you can take advantage of trade treaties between our countries which remove that withholding. It may be easier to work with a Canadian company, like Blurb, because they can distribute through Amazon as well, but this tax situation shouldn’t arise since they’re based within Canada. Secondly, Canadians can acquire ISBNs for free from the government by registering titles through the Canadian ISBN Service System (CISS).

Once the files are finalized, complete the submission process with each distributor, inputting your ISBN, setting price points, distribution channels, and so on. Then, with just a few clicks, your book will be available online for all of your eager readers!

STEP 4 – The Publishing End Game: Promoting Your Book

Once your book has been published, you’ve entered the end game. Now, you need to spread the word about your new book. There are many ways you could do that, ranging from paid advertisements to blog posts and social media. Maybe consider having a book launch, doing public readings, giving interviews, or creating a video log. If you have some promotional copies, you might send some to reviewers or hold a giveaway. If your finances are limited or non-existent, then consider devoting some time to blogging and social media, which only cost your time and effort. At this stage of the guerrilla publishing experience, putting in so much of your time and effort should be a given.

STEP 5 – Repeat, and Enjoy

Repeat, and enjoy!

Otherwise, if this all seems like too much of a mess, then you should recall I founded this publishing house called Problematic Press. This is exactly what the name implies.

Hat Logo - Final - Smaller

David Reynolds studied at Memorial University where he completed his BA in Philosophy and English Language and Literature in 2006 in addition to completing his MPhil in Humanities in 2008. His graduate research focused on the cultural significance of superhero narratives and culminated in his dissertation Superheroes: An Analysis of Popular Culture’s Modern Myths. Presently, he enjoys teaching English at Memorial University while fumbling about as a publisher with Problematic Press.

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